I have to wonder how GenAI would have fared if these LLMs had become available anytime before 2020, during the “normal” tech bubble. It feels like the faith in it is as much to slash costs while appearing to be cutting-edge (and thus, worthy of what little investment is still available), as it is because of its capabilities. Where would we be if the tech industry wasn’t in such a dire state due to the end of ZIRP?
Ironically, this kind of performative outrage (over a performative thing or not) is also very Gen X or millennial-coded. I can’t even. Take a chill pill.
Before SyFy self-imploded a decade ago it had multiple “ragtag rogues adventure across a sci-fi setting with frontier elements” - Dark Matter, Killjoys, Defiance. Feels like the subgenre Firefly occupied is well-settled by now.
Every time there’s an article about the “good ol’ days of Hollywood” I like to trot out this comic strip- looks like last time I posted it was five years ago:
Hollywood has been a franchise and licensed IP sequel/remake/reboot farm since the ‘80s, since Star Wars and Jaws blockbusters killed off the experimental period of New Hollywood. And even before that it was Cecil B. DeMille bombastic productions and westerns and musicals everywhere. The movie industry has always been characterized by crowd pleasers.
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