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Let's go back to the author's own explanation. Half the examples the author uses of appropriate balance in design look dreadful to me.

I mean, I don't think you'll have problems finding people who think the purposeful asymmetry and complexity of the form of this McMansion (horrible details, but that's beside the point) http://66.media.tumblr.com/985ce3af7d99be6789a3d60733d87bdb/... is less jarring than the oversized porch and rather forced symmetry of this house http://66.media.tumblr.com/985ce3af7d99be6789a3d60733d87bdb/...

I suspect that you won't find a majority who think this architecturally interesting but rather disconcerting house which seems almost to be split into two discrete components http://66.media.tumblr.com/ef085492f16fa90eca55b34c2edb4f6e/... is more balanced and harmonious than this bland McMansion with a rather more subtle asymmetry of styling and no centreline http://66.media.tumblr.com/b60dfce3f94da6a03ded2c7c1acd2f34/...

And above all, picking holes in an architect's work is easy. I'm really not convinced that many people would consider this house with its oversized, overbearing gable and clumsy porch with ludicrously oversized pillars to be a model of a "properly proportioned house", regardless of the author's delight at it as an example of how to balance the top and bottom halves of an elevation http://66.media.tumblr.com/aacf83efd66eded7cffe5f42716fbe36/...

Architects can easily ignore centre-lines and rules of thirds and concepts of primary and secondary massing and matching windows and produce great houses, and they can easily follow them rigidly and produce something which is a shoddily-built mixture of poor imitations of different historical styles that's not built to a human friendly scale.

P.S. I see your Monticello and raise you Fallingwater...



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