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The internal subjective experience or psychology of such people is something I find of a certain interest. Somewhat to my surprise, this article actually touches on that:

Djerassi has also suffered in his own work because of monomaths’ hostility, especially as a playwright. “They always keep crying out ‘the co-inventor, father, the mother of the Pill’,” he growls. “Without having any knowledge about the play, they start with it. As if it’s got anything to do with it.” Djerassi thinks that this means he has to work harder to promote his work. “No agent has ever been interested in me. They want 29-year-old Irish playwrights, not 86-year-old expatriates.” A trace of bitterness creeps into his voice, but he concedes: “If I were an agent I’d feel the same way.”

Overwhelmed by specialists and attacked by experts as dilettantes, it is amazing that there are any polymaths at all. How do they manage?



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